Archive for ‘Printing’

26/08/2019

Chinese teacher suspended for ‘belittling’ great inventions in online chat

  • Associate professor caused ‘vicious social impact’ in comments to student in social media chat room
  • Ethics committee suspends him from teaching for two years
The four great inventions of ancient China: Paper, gunpowder, the compass and printing. Photo: Alamy
The four great inventions of ancient China: Paper, gunpowder, the compass and printing. Photo: Alamy

An associate professor has been suspended by his university in southwestern China for causing “vicious social impact” by belittling the four great ancient Chinese inventions of papermaking, printing, gunpowder and the compass.

Zheng Wenfeng was suspended from teaching for 24 months by the University of Electronic Science and Technology of China in Chengdu, Sichuan province, for his comments in June to a student in an online group discussion on Chinese social media platform WeChat.

Zheng told the student, who wanted to choose the four great inventions as a thesis topic on innovation, that “ancient China did not have any substantial innovations” and that the four great inventions were “not advanced in the world and did not generate any productivity or cooperation in reality”.

The four inventions are extolled in China as important contributions to the development of world civilisation.

The student’s boyfriend put a screenshot of the conversation on Zhihu.com, a Quora-style knowledge-sharing website, where it generated wide attention.
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In July, the university issued a statement saying that Zheng had expressed mistaken opinions in the online chat room which had “caused vicious social impact”. The university went on to say that its teachers’ ethics committee had determined Zheng had violated ethics regulations and he would be suspended from teaching, recruitment of master’s degree candidates, and promotion for the next 24 months.

Academics began speaking out in support of Zheng last week, with some university teachers alleging on social media that Zheng had been ambushed by his students. Others felt his punishment went too far.

Huang Shaoqin, an associate professor of the Antai School of Economics and Management at Shanghai Jiao Tong University, called for a boycott of Zheng’s university in response to his treatment and demanded a public apology from the students involved.

“Until you rectify your wrongdoings, I cannot have any academic communication with you,” Huang said. “I call on teachers at Chinese universities to boycott this university.”

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In an editorial on Saturday, GMW.cn – a news website targeting China’s intelligentsia – defended academic debate, saying people could provide their own evidence on the significance of the four great innovations, and this was how academic issues should be argued.
“Students ignored the basic rules of academic discussions and they exaggerated the teacher’s errors. They released the private chat record to the public, no doubt with an intention of making a fuss,” the editorial said. “Their meticulous thought is really horrible.”
Chinese state broadcaster CCTV addressed the issue in an editorial on Friday, saying schools should distinguish correctly between politics and academic issues, and should not magnify the seriousness of the teacher’s opinions.
“This kind of case involves how freely university teachers can talk and the boundary between academic freedom and political red lines,” it said. “The university should give a clear explanation about its punishment so that the public and the teacher involved will be convinced.”

The Ministry of Education promoted 10 principles for university teachers at the end of last year, with “sticking to correct political direction” at the top of the list.

Zheng said he accepted the university’s punishment and did not need to make any clarification or self-justification, according to online news portal Sohu.com last week.

“I will focus on scientific research. This incident is over, is my attitude,” he was quoted as saying.

Source: SCMP

18/08/2019

Chinese toys boom being fuelled by adult male consumers of collectibles

  • Adult consumers are fuelling a boom in China’s toy collectibles market
  • Men are spending thousands of dollars on figurines to express their identity, boost their street cred, and indulge their inner kid
Chinese collector Don Tang with artist Jason Freeny at the Jason Freeny X-Soul Station exhibition in Shanghai. Photo: Don Tang
Chinese collector Don Tang with artist Jason Freeny at the Jason Freeny X-Soul Station exhibition in Shanghai. Photo: Don Tang
Don Tang is proud of his toys. So much so that the Shanghai resident, 32, puts them on display both in his home and in the office of the company he runs.
And there are plenty to display. Tang, 32, has some 100 collectibles and the number is growing all the time. Each month he sets aside 2,000 yuan (US$280) to buy the top trending toys, newest releases, or one-of-a-kind items – either from physical stores, online or at toy conventions in China.

But the toys are not connected to his work as the CEO of a firm in the intellectual property sphere. They are simply a hobby, albeit one Tang takes seriously. The crowning jewel of his collection? A 6,000 yuan KAWS action figure bought in Tokyo, Japan.

“When I return home from work each day, I get to see [my toys] and it puts me in a good mood,” says Tang, who realises some people might not get the appeal of his hobby, but says it is an “addictive” pursuit and a way of appreciating designs and craftsmanship. Whether it’s SpongeBob SquarePants, Hello Kitty or Sesame Street, each toy has its own distinct, “lovable, cute, and personalised” identity, he says.
Remind you of someone? Hambuddha is a designer figurine made by Mighty Jaxx of Singapore that is aimed at the adult market. Photo: Mighty Jaxx
Remind you of someone? Hambuddha is a designer figurine made by Mighty Jaxx of Singapore that is aimed at the adult market. Photo: Mighty Jaxx

“When you look back at the toys that you collected at different times, you realise how your own aesthetic, tastes, and preferences have changed over time,” adds Tang, who would never dream of selling his precious collection.

Tang’s toy story is far from unique. Sales of toys and games in China – which produces 80 per cent of all the world’s toys – soared to 324 billion yuan in 2018, up from 135 billion yuan in 2013, according to market research company Euromonitor. Fuelling these sales is a growing army of toy connoisseurs just like Tang.

CASHING IN

Mighty Jaxx, a Singapore-based urban culture company that designs and manufactures collectibles and lifestyle products, is among the many companies benefiting from this surge in demand.

Its Chinese customer base accounts for 25 per cent of its projected revenue of S$10 million (US$7.21 million) for 2019 – and this proportion is expected to hit 40 per cent over the next few years, according to Mighty Jaxx’s founder and CEO, Jackson Aw, 30.

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An avid toy collector himself, Aw first mused over the idea of turning his hobby into a viable business back in 2012. He ventured to Shenzhen in China for one month, knocking on factory doors just for a behind-the-scenes glimpse of the toy production process.
Being one of his first times to China, the mammoth scale of the industry came as a major “culture shock” to Aw.
Mighty Jaxx founder and CEO Jackson Aw. Photo: Toh Ee Ming
Mighty Jaxx founder and CEO Jackson Aw. Photo: Toh Ee Ming

“I had always thought that it was just one giant machine that spits out parts and that was it. But there were rows and rows of hundreds of people printing, hand painting, assembling and using different skills just to produce one toy,” the Singaporean says.

Describing the visit as his “greatest education”, Aw was inspired to launch Mighty Jaxx from his bedroom with start-up capital of S$20,000 loaned from a bank through his parents.

Fast forward to today and his online business has worked with major brands such as Warner Brothers, DC Comics, Cartoon Network, MTV and New Balance, and shipped millions of products to collectors in over 50 countries. It is best known for its XXRAY figures, developed in partnership with artist Jason Freeny, which feature dissected Justice League characters such as Batman, Superman and Wonder Woman.

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But in its early days, the China market had intimidated Aw as a “big anomaly” that was still largely closed off. Aw had found it difficult to navigate the cultural norms and familiarise himself with unfamiliar business models.

Still, sensing China’s potential, his firm embarked on wide-ranging creative collaborations to tailor its offerings to the Chinese market – from creating yin-and-yang themed toys, celestial chicken fairy deities and the “Hambuddha” (a Buddha holding a pearl-shaped hamburger while on a lotus throne).

It also partnered with Chinese artist Chen Wei (who goes by the alias Cacooca) to develop a new Panda Ink collection, which depicts a panda in the midst of an everyday activity or hobby, such as hiking, playing video games or cuddling with cats.

Mighty Jaxx’s ‘Flow by 18 Uppercut’ has a yin and yang theme with white and black halves. Photo: Mighty Jaxx
Mighty Jaxx’s ‘Flow by 18 Uppercut’ has a yin and yang theme with white and black halves. Photo: Mighty Jaxx

It has also collaborated with other big-name artists and celebrities trending among Chinese consumers – such as Los Angeles-based dance crew Kinjaz, who found fame in China appearing on dance shows, and ABS, a leading graffiti crew based in Beijing’s 798 Art District – and has an upcoming collaboration with Taiwanese singer Show Luo.

But it is the comic and toy conventions that provide its biggest fans, typically men in their 20s to 40s who flock in from Beijing, Shanghai and Guangzhou.

Aw says these collectors have a huge appetite to splurge on high-end collectibles, which can range in cost from anywhere between US$10 to US$2,000.

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To these collectors, price is of little concern as they are looking for “tangible products to buy and show off their personality” and build their street cred among their friends, though they still prefer to stay under-the-radar about their collection to the general public, Aw says.

Today, Mighty Jaxx’s products are manufactured in nearly 20 different factories in Shenzhen and Guangzhou. It set up its first overseas office in Shanghai last year and is planning to open its second one in Suzhou by the end of 2019, according to Aw.

Besides growing Chinese affluence, Aw credits his company’s success to a greater exposure to Western influences and China’s own unique brand of pop culture taking off domestically.

He points to one of China’s biggest blockbusters Monster Hunt, a fantasy martial arts film of how monsters live among humans.

Mighty Jaxx’s celestial chicken fairy deity is aimed at the Hong Kong and mainland China market. Photo: Mighty Jaxx
Mighty Jaxx’s celestial chicken fairy deity is aimed at the Hong Kong and mainland China market. Photo: Mighty Jaxx

“Outside China, you wouldn’t know what the hell it’s about. But the Chinese are creating their own unique narrative and developing their own intellectual property … That’s when we know the demand for original creation in different forms is truly there,” Aw says.

Likewise, consumers live in an age of a “mishmash of pop cultures and crossovers” and “subcultures becoming mainstream”, he says.

Citing how the business has teamed up with Team Hero, a China e-sports team comprising professional computer gamers, to roll out new figurines, Aw says: “It doesn’t mean that tattoo artists, skateboarders don’t buy toys … What seems to be separate demographics are converging to become a multibillion-dollar market.”

Aw says the company is planning to expand from its current business model based on direct selling to collectors, to e-commerce distribution channels like Taobao and Tmall by the end of 2019.

He hopes eventually to set up the firm’s first retail store in Shanghai, as he believes the future lies in experiential retail.

“China has been cultivating that openness in recent decades, and we’re still very curious and excited for new things to happen [in this market],” Aw says. 

Source: SCMP

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