Archive for ‘review’

22/04/2020

How Gandalf and ancient poetry can show the world a different side to China amid coronavirus unease

  • Documentary puts China’s literary hero into context: there is Dante, there’s Shakespeare, and there’s Du Fu
  • Theatrical legend Sir Ian McKellen brings glamour to beloved verses in British documentary
A ceramic figurine of Du Fu, a prominent Chinese poet of the Tang dynasty. Du is the subject of a new BBC documentary, thrilling devotees of his poetry. Photo: Simon Song
A ceramic figurine of Du Fu, a prominent Chinese poet of the Tang dynasty. Du is the subject of a new BBC documentary, thrilling devotees of his poetry. Photo: Simon Song
The resonant words of an ancient Chinese poet spoken by esteemed British actor Sir Ian McKellen have reignited in China discussion about its literary history and inspired hope that Beijing can tap into cultural riches to help mend its image in the wake of the coronavirus pandemic.
The BBC documentary Du Fu: China’s Greatest Poet has provoked passion among Chinese literature lovers about the poetic master who lived 1,300 years ago.
Sir Ian Mckellen read works of ancient Chinese poet Du Fu in Du Fu: China’s Greatest Poet. Photo: BBC Four / MayaVision International
Sir Ian Mckellen read works of ancient Chinese poet Du Fu in Du Fu: China’s Greatest Poet. Photo: BBC Four / MayaVision International
The one-hour documentary by television historian Michael Wood was broadcast on television and aired online for British viewers this month but enthusiasm among Chinese audiences mean the trailer and programme have been widely circulated on video sharing websites inside mainland China, with some enthusiasts dubbing Chinese subtitles.
The documentary has drawn such attention in Du’s homeland that even the Communist Party’s top anti-graft agency has discussed it in its current affairs commentary column. Notably, Wood’s depiction of Du’s life from AD712 to 770 barely mentioned corruption in the Tang dynasty (618-907) government.

“I couldn’t believe it!!” Wood said in an email. “I’m very pleased of course … most of all as a foreigner making a film about such a loved figure in another culture, you hope that the Chinese viewers will think it was worth doing.”

Often referred to as ancient China’s “Sage of Poetry” and the “Poet Historian”, Du Fu witnessed the Tang dynasty’s unparalleled height of prosperity and its fall into rebellion, famine and poverty.

Writer, historian and presenter Michael Wood followed the footsteps of the ancient Chinese poet Du Fu in Yangtze River gorges. Photo: BBC Four / MayaVision International
Writer, historian and presenter Michael Wood followed the footsteps of the ancient Chinese poet Du Fu in Yangtze River gorges. Photo: BBC Four / MayaVision International
Wood traced Du’s footsteps to various parts of the country. He interviewed Chinese experts and Western sinologists, offering historical and personal contexts to introduce some of Du’s more than 1,400 poems and verses chronicling the ups and downs of his life and China.
The programme used many Western reference points to put Du and his works into context. The time Du lived in was described as around the as the Old English poem Beowulf was composed and the former Chinese capital, Changan, where Xian is now, was described as being in the league of world cities of the time, along with Constantinople and Baghdad.

Harvard University sinologist Stephen Owen described the poet’s standing as such: “There is Dante, there’s Shakespeare, and there’s Du Fu.”

The performance of Du’s works by Sir Ian, who enjoyed prominence in China with his role as Gandalf in the Lord of the Rings movie series, attracted popular discussion from both media critics and general audiences in China, and sparked fresh discussion about the poet.

“To a Chinese audience, the biggest surprise could be ‘Gandalf’ reading out the poems! … He recited [Du’s poems] with his deep, stage performance tones in a British accent. No wonder internet users praised it as ‘reciting Du Fu in the form of performing a Shakespeare play,” wrote Su Zhicheng, an editor with National Business Daily.

A stone sculpture at Du Fu Thatched Cottage in Chengdu city, China. Photo: Handout
A stone sculpture at Du Fu Thatched Cottage in Chengdu city, China. Photo: Handout
On China’s popular Weibo microblog, a viewer called Indifferent Onlooker commented on Sir Ian’s recital of Du’s poem My Brave Adventures: “Despite the language barrier, he conveyed the feeling [of the poet]. It’s charming.”
Some viewers, however, disagreed. At popular video-sharing website Bilibili.com, where uploads of the documentary could be found, a viewer commented: “I could not appreciate the English translation, just as I could not grasp Shakespeare through his Chinese translated works in school textbooks.”
Watching the documentary amid the coronavirus pandemic, some internet users drew comparisons of Du to Fang Fang, a modern-day award-winning poet and novelist who chronicled her life in Wuhan during the Covid-19 lockdown.
News of the forthcoming publication of English and German translations of Fang’s Wuhan Diary has attracted heated accusations that it would empower Western critics of Beijing’s handling of the outbreak.
Shanghai pictured in April. Devastation wrought by the coronavirus pandemic has brought about a new suspicion of China. Photo: Bloomberg
Shanghai pictured in April. Devastation wrought by the coronavirus pandemic has brought about a new suspicion of China. Photo: Bloomberg
The pandemic has infected more than 2.5 million people and killed more than 170,000. It has put the global economy in jeopardy, fuelling calls for accountability. British Foreign Secretary Dominic Raab last week called for a “deep dive” review and the asking of “hard questions” about how the coronavirus emerged and how it was not stopped earlier.
Steve Tsang, director of the SOAS China Institute at University of London, said the British establishment and wider public had changed its perception of Beijing as questions arose about outbreak misinformation and the political leverage of personal protective gear supply.
“The aggressive propaganda of the Chinese government is getting people in the UK to look more closely at China and see that it is a Leninist party-state, rather than the modernising and rapidly changing society that they want to see in China,” Tsang said.

On Sunday, a writer on the website of the National Supervisory Commission, China’s top anti-corruption agency, claimed – without citing sources – that the Du Fu documentary had moved “anxious” British audience who were still staying home under social distancing measures.

“If anyone wants to put the fear of the coronavirus behind them by understanding the rich Chinese civilisation, please watch this documentary on Du Fu,” it wrote, adding that promoting Du’s poems overseas could help “healing and uniting our shattered world”.

English-language state media such as CGTN and the Global Times reported on the documentary last week and some Beijing-based foreign relations publications have posted comments about the film on Twitter.

Wood said he had received feedback from both Chinese and British viewers that talked about “the need, especially now, of mutual understanding between cultures”.

“It is a global pandemic … we need to understand each other better, to talk to each other, show empathy: and that will help foster cooperation. So even in a small way, any effort to explain ourselves to each other must be a help,” Wood said.

He said the idea for producing a documentary about Du Fu started in 2017, after his team had finished the Story of China series for BBC and PBS.

Du Fu: China’s Greatest Poet first aired in Britain on April 7 on BBC Four, the cultural and documentary channel of the public broadcaster. It is a co-production between the BBC and China Central Television.

Wood said a slightly shorter 50-minute version would be aired later this month on CCTV9, Chinese state television’s documentary channel.

The film was shot in China in September, he said.

“I came back from China [at the] end of September, so we weren’t affected by the Covid-19 outbreak, though of course it has affected us in the editing period. We have had to recut the CCTV version in lockdown here in London and recorded two small word changes on my iPhone!” Wood said.

Source: SCMP

14/11/2019

Sabarimala temple: India court to review ruling on women’s entry

Devotees inside the Sabarimala templeImage copyright KAVIYOOR SANTHOSH
Image caption Sabarimala is one of the most prominent Hindu temples in the country

India’s Supreme Court has agreed to review its landmark judgement allowing women of menstruating age to enter a controversial Hindu shrine.

A five-judge bench last year ruled that keeping women out of the Sabarimala shrine in the southern state of Kerala was discriminatory.

The verdict led to massive protests in the state.

Women who tried to enter the shrine were either sent back or, in some cases, even assaulted.

The move is likely to anger women who fought hard to win the right to enter the temple.

Hinduism regards menstruating women as unclean and bars them from participating in religious rituals.

Many temples bar women during their periods and many devout women voluntarily stay away, but Sabarimala had a blanket ban on all women between the ages of 10 and 50.

What did the court say?

On Thursday the five-judge bench, responding to dozens of review petitions challenging the court’s landmark judgement last year, said that the matter would now be heard by a larger bench.

In doing so, however, it did not stay its earlier order. This means women can still legally enter the temple.

But it’s not going to be easy for them.

Two women trying to enter the temple in full riot gear
Image caption Some women tried to enter the temple last year

A temple official welcomed the ruling and appealed to women to stay away.

Women trying to enter the temple after the verdict last year were attacked by mobs blocking the way.

Many checked vehicles heading towards the temple to see if any women of a “menstruating age” – deemed to be those aged between 10 and 50 years – were trying to enter.

Following Thursday’s verdict, police in Kerala have appealed for calm, saying that action will be taken “against those who take the law into their own hands”. They added that social media accounts would be under surveillance and those stoking religious tensions online would be arrested.line

‘One step forward, two steps back’

Geeta Pandey, BBC News, Delhi

Today’s verdict will come as a massive disappointment to women’s rights campaigners. It’s a case of one step forward, two steps back.

In 2018, while lifting the ban on women’s entry into the shrine, the Supreme Court had said that everyone had the right to practice religion and that the ban was a form of “untouchability”.

It was seen as a hugely progressive ruling and had given hope to women that they were equal before the law and could now claim equality before the gods too. What happened in court today has taken that sense away.

The Supreme Court has not put its earlier order on hold, but with the ambiguity over women’s entry continuing, it’s very likely they could be kept out in the name of keeping peace.

With the case now to be reopened by a larger seven-judge bench, the fight will have to be fought all over again.line

Why is the temple so controversial?

Part of the violent opposition to the Supreme Court order to reverse the temple’s historical ban on women was because protesters felt the ruling goes against the wishes of the deity, Lord Ayappa, himself.

While most Hindu temples allow women to enter as long as they are not menstruating, the Sabarimala temple is unusual in that it was one of the few that did not allow women in a broad age group to enter at all.

Hindu devotees say that the ban on women entering Sabarimala is not about menstruation alone – it is also in keeping with the wish of the deity who is believed to have laid down clear rules about the pilgrimage to seek his blessings.

Indian Police patrol during clashes between Communist Party of India (Marxist) (CPM) and Bhartiya Janta Party (BJP) in front of the Kerala Government Secretariat in Thiruvnanthapuram on January 02, 2019Image copyright GETTY IMAGES
Image caption The entry of women into the Sabarimala temple sparked angry scenes

Every year, millions of male devotees trek up a steep hill, often barefoot, to visit the shrine. They also undertake a rigorous 41-day fast, abstaining from smoking, alcohol, meat, sex and contact with menstruating women before they begin the journey.

Women’s rights campaigners who appealed to the Supreme Court to lift the ban said that this custom violated equality guaranteed under India’s constitution. They added that it was prejudiced against women and their right to worship.

Supporters of the ban argued that the practice had been in effect for centuries, and there was no need to change it now.

So, were any women able to enter last year?

In January, two women defied protesters and entered the shrine.

Kanakadurga, 39, and Bindu Ammini, 40, made history when they entered the Sabarimala shrine – but they had to do so under heavy police protection and were also met with massive protests after.

Right-wing groups, supported by India’s ruling Hindu nationalist Bharatiya Janata Party (BJP), demanded a state-wide shutdown after, and businesses and transportation became paralysed.

Across the state hundreds were arrested, and at least one person was killed in clashes.

In an interview with the BBC, the women said they felt it necessary to uphold women’s rights and they weren’t afraid of mobs “enraged” by their actions.

Media caption One of the women who defied protesters to enter the Sabarimala temple says she has ‘no fear’

“I am not afraid. But every time women make any progress, society has always made a lot of noise,” Ms Kanakadurga told the BBC in January.

But their decision to enter the temple also came at heavy personal cost.

She alleged that she had been beaten by her mother-in-law and abandoned. She has since filed for divorce.

Source: The BBC

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