- More than one billion views of Mulan discussion in China hours after trailer screens during Women’s World Cup final
- While some quibble over technical details, the vast majority are eagerly awaiting Disney’s first Chinese princess
Mulan tells the story of a fabled Chinese heroine who posed as a man and became one of the greatest warriors of her time, arguably in the Northern Wei period, or about AD400 to 600. She is one China’s best known fictional characters, with numerous theatrical references and poems which many Chinese know by heart.
The familiarity of the tale has presented a challenge for the production, with many Chinese online commenters questioning the historical details which can be discerned from the sketchy details provided by the trailer.
Many took exception to the opening scene of Mulan riding a horse to her home, built in the architectural style of tulou, common in the southern province of Fujian, when the legend places the heroine in the north.
“The poem said Mulan bade farewell to her parents in the morning and slept near the Yellow River at night. How can she live in a tulou in Fujian? Did she take a fast-rail train?” one internet user teased.
Another used the example to call for Disney to pay more attention to technical details when telling Chinese stories. “Please don’t be arrogant about Chinese stories.”
Also questioned in China was the message from the trailer that Mulan had become a warrior to escape a forced marriage, rather than the well known detail that she was saving her father from being drafted into the military in an act of filial piety.
But the overwhelming response was that fans should put aside their own perceptions of Mulan and celebrate the new edition as one of the few fully-Asian cast international movies, as well as its depiction of a powerful woman and Chinese values as “the only Disney princess who was not saved by a prince but instead became a fighting warrior”.
“Can our domestically produced period dramas meet the standard if we are here to be picky about looks and architecture? Even domestic directors can’t be perfect in restoring ancient costumes, make-up or architecture. Why should we ask so much from a foreign one? We should celebrate the cultural exchange rather than splitting hairs to find faults,” said one Weibo user.
“Mulan in the battlefield has outperformed men and showcased the traditional values of courage and protecting the country when needed. Chinese values, presented to the world by Chinese actors, is worth looking forward to. Please throw away the technical faults such as architecture,” said another.
Source: SCMP

