Archive for ‘martial arts’

08/07/2019

Disney’s live-action Mulan trailer lights up Chinese social media

  • More than one billion views of Mulan discussion in China hours after trailer screens during Women’s World Cup final
  • While some quibble over technical details, the vast majority are eagerly awaiting Disney’s first Chinese princess
Crystal Liu Yifei as Mulan in Disney’s live-action film which is eagerly anticipated in China.
Crystal Liu Yifei as Mulan in Disney’s live-action film which is eagerly anticipated in China.
Anticipation over Disney’s live-action movie Mulan is running high in China, with more than one billion views of the subject on Chinese social media in the hours after a teaser trailer was unveiled during Sunday’s final game of the Women’s World Cup.
While some online commenters had their doubts over technical details, most internet users appeared exhilarated at the prospect of Disney’s first Chinese princess, played by Chinese-American actress Crystal Liu Yifei.
The big reveals in Disney’s Mulan trailer, and fan reaction
By Monday afternoon, the hashtag Hua Mulan had been viewed more than one billion times on the Twitter-like Weibo service and nearly 770,000 comments had been made on the topic. Some 450 million views had been recorded for the topics “Mushu no longer in the movie Mulan” – a reference to the heroine’s fast-talking dragon companion in the 1998 animation – and “the look of Liu Yifei”.
“I got carried away by the fighting scenes. Mulan is courageous and strong. I look forward to seeing the eastern heroine Hua Mulan going global,” said one Weibo user.
“This is the first Chinese Disney princess. It’s so great and we feel so proud,” said another.
The movie, scheduled for release on March 27 next year, casts renowned action star Jet Li as the emperor who ordered the military draft to fight a northern invasion, and internationally-acclaimed actress Gong Li as a powerful witch. Donnie Yen Ji-dan, star of Rogue One: A Star Wars Story and the Ip Man movies, plays Mulan’s martial arts mentor Commander Tung.
Donnie Yen nails ‘Bottle Cap Challenge’ blindfolded

Mulan tells the story of a fabled Chinese heroine who posed as a man and became one of the greatest warriors of her time, arguably in the Northern Wei period, or about AD400 to 600. She is one China’s best known fictional characters, with numerous theatrical references and poems which many Chinese know by heart.

The familiarity of the tale has presented a challenge for the production, with many Chinese online commenters questioning the historical details which can be discerned from the sketchy details provided by the trailer.

Many took exception to the opening scene of Mulan riding a horse to her home, built in the architectural style of tulou, common in the southern province of Fujian, when the legend places the heroine in the north.

“The poem said Mulan bade farewell to her parents in the morning and slept near the Yellow River at night. How can she live in a tulou in Fujian? Did she take a fast-rail train?” one internet user teased.

Another used the example to call for Disney to pay more attention to technical details when telling Chinese stories. “Please don’t be arrogant about Chinese stories.”

Also questioned in China was the message from the trailer that Mulan had become a warrior to escape a forced marriage, rather than the well known detail that she was saving her father from being drafted into the military in an act of filial piety.

But the overwhelming response was that fans should put aside their own perceptions of Mulan and celebrate the new edition as one of the few fully-Asian cast international movies, as well as its depiction of a powerful woman and Chinese values as “the only Disney princess who was not saved by a prince but instead became a fighting warrior”.

“Can our domestically produced period dramas meet the standard if we are here to be picky about looks and architecture? Even domestic directors can’t be perfect in restoring ancient costumes, make-up or architecture. Why should we ask so much from a foreign one? We should celebrate the cultural exchange rather than splitting hairs to find faults,” said one Weibo user.

“Mulan in the battlefield has outperformed men and showcased the traditional values of courage and protecting the country when needed. Chinese values, presented to the world by Chinese actors, is worth looking forward to. Please throw away the technical faults such as architecture,” said another.

Source: SCMP

24/05/2017

Kung phooey: A fist-fight in China turns into a clash between tradition and modernity | The Economist

MOST lovers of Chinese martial arts take the magical aspects of kung fu, as demonstrated by the flying fighters of legend and film, with a pinch of salt. But Wei Lei built his career in China on a claim that his mastery of tai chi, a branch of kung fu, had given him supernatural power. In a programme about kung fu that was broadcast on state television in 2015, Mr Wei demonstrated that he could keep a dove standing on his hand with an invisible force-field and smash the inside of a watermelon without damaging its rind.

The broadcaster itself appeared to be among the credulous.There were many sceptics, too. Earlier this year one of them stepped forward to challenge Mr Wei: Xu Xiaodong, a practitioner of mixed martial arts—a fighting form drawing on Eastern and Western traditions that began to take off in America in the 1990s (and is picking up fans in China). Mr Xu mocked tai chi as a slow-motion form of aerobics. Last month the two men decided to settle their argument in hand-to-hand combat. The fight on April 27th was quick and decisive. Just 12 seconds in, Mr Wei ended up on the ground, his nose bleeding.

A fist-fight in China turns into a clash between tradition and modernity

A video of the clash spread rapidly online. Some commentators in China sided with Mr Xu, and urged him to expose other kung fu “masters”. Mr Xu promised to do so. His aim, he said, was not to disparage Chinese martial arts, but to expose deceitful practitioners.

But many netizens accused Mr Xu of trying to besmirch the country’s ancient fighting techniques: how, they asked, could a single fight prove anything? Guancha.cn, a news portal, said Mr Xu’s posts over the years on Weibo, a microblog website, had insulted the Chinese army and Mao Zedong. Ye Yincong of Lingnan University in Hong Kong wrote that the reaction demonstrated a common tendency in China to view the world in terms of a struggle between Chinese tradition and Western influence.

Some kung-fu fighters have expressed willingness to take up Mr Xu’s challenge. But faced with a barrage of hate messages, Mr Xu appears to have lost his zeal. On May 4th he appeared in a live video-stream, looking stressed. “I have lost my career and everything,” he said, implying the pressure had been affecting his work as a mixed-martial-arts coach.

The authorities appear eager to put an end to the debate. China’s president Xi Jinping is a fan of traditional Chinese culture, and says he wants to use it promote the country’s “soft power” abroad. The recent criticism of kung fu may have triggered too much questioning of it for his taste. On May 7th Mr Xu’s Weibo account was deleted, as was some of the online reporting and commentary about his fight with Mr Wei. Mr Xu told the BBC that he would keep quiet from now on, and study traditional Chinese martial arts.

Source: Kung phooey: A fist-fight in China turns into a clash between tradition and modernity | The Economist

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