Cui Junjie, 2018
Wuxia, or kung fu fantasy, is so intrinsic to Chinese pop culture it was almost inevitable that its tropes would be incorporated into Chinese sci-fi.
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Produced exclusively for IQiyi, China’s version of Netflix, Super Mechs is set in 2066 in a world where humanity has begun to experience genetic mutations which leave some people with X-Men style super powers.
Global criminal organisations are threatening the order of society and private entities are stepping up to uphold it by developing highly advanced mechanised power suits.
Hero Xiao Qi is an ordinary office clerk enlisted by the Dragon Clan, who reveal to him his latent mutant ice powers, before arming him with a robotic power suit and sending him on a mission. Little does Xiao Qi know that he will be greeted by another mech-suited warrior with fire-based powers who will fight him to a standstill.
The “warriors with opposite powers” trope is a staple of the wuxia genre, but the film falls deeper down the rabbit hole when this deadly opponent is revealed to be Xiao Qi’s long-lost brother.
Add in ancient warring clans, fast-paced action between the sleek computer-generated mechanical fighters and a cheeky sense of humour from our protagonist, and the high budget Huayi Brothers production appeals to fans of superhero, kung fu and toku/tecuo films alike.
The works of stalwart wuxia authors like Jin Yong are steadily being translated into English, so we will certainly see more from this sub-genre reach our screens.
Acknowledging the rich and varied Chinese science fiction tradition does not at all detract from the pride in the success of Wandering Earth.
With China’s growing middle class and increased youth spending power, Chinese filmmakers are increasingly catering for a booming domestic demand for entertainment, and no longer worry as much about making their films palatable for export.
But with more East-West co-productions in the pipeline, like the animated Next Gen which originated from a Chinese web comic, it is certainly a sensible decision for companies like Netflix to bring films from platforms like IQiyi, to an English speaking audience, and that is going to include kehuan.
Western audiences may not immediately “get” some of these films, or may feel that some elements do not flow to their expectations.
But Wandering Earth and the titles above are the product of China’s culture and worldview. And to some extent, it’s what makes them different that will pique interest, fascinate and entertain.
Source: The BBC
CHINDIA ALERT: You'll be living in their world, very soon 