Posts tagged ‘Mumbai Film Festival’

02/11/2013

Fandry puts a harsh spotlight on India’s caste system – Reuters

Nagraj Manjule grew up as a Dalit, an untouchable, scorned by a caste system that he says never lets you forget how low you are. The short-film director channeled the shame and the ridicule of his childhood into his first feature film, “Fandry” (“Pig”) which won the Jury Grand Prize at the Mumbai Film Festival last month.

The movie is about a Dalit schoolboy named Jabya (Somnath Awghade) who  lives on the outskirts of a village and struggles against the caste system by daring to dream, and eventually rebelling against the perpetrators of that system.

He harbours a crush on a fair-skinned, Brahmin class-mate, dreams of buying fancy new blue jeans, and uses talcum powder to try to make his dusky face fair. Through scenes with his father, his best friend and the village maverick who becomes friends with Jabya, Manjule tells the audience that little has changed. The powerful climax gives the audience a glimpse into Jabya’s insecurities, his reluctance to accept his identity, before he finally snaps, retaliating against those ridiculing him and his family.

“You are constantly told you are no good, and never will be. In some way or the other, there is so much humiliation, that after a while you begin to believe that what is being said about you is true,” Manjule said in an interview.

His childhood was much like Jabya’s. One difference was his father, who, unlike Jabya’s somewhat tyrannical father, wanted him to study. Manjule devoured books, reading Marathi and English literature whenever he got a chance. His ticket to a better life came when he left his village to study Marathi literature at the University of Pune.

via India Insight.

21/10/2013

Documentary ‘Katiyabaaz’ shines spotlight on India’s power shortage | India Insight

A documentary about a power thief, the government official who tries to stop him, and the larger story about the lack of power and infrastructure in India’s small towns is making news at the Mumbai Film Festival.

“Katiyabaaz” (Powerless) chronicles the clash between Loha Singh, a Robin Hood-style power thief who claims to be the best in the business, and Ritu Maheshwari, a government official who is determined to stop power theft in the industrial town of Kanpur in Uttar Pradesh.

The film will screen at the Mumbai Film Festival, which begins Friday.

Directed by documentary filmmakers Fahad Mustafa and Deepti Kakkar, the 84-minute movie screened at the Berlin and Tribeca film festivals before appearing in Mumbai.

“The film is as much about the energy crisis in India and globally as it is about the ingenuity and tenacity of the people in Kanpur. It is also a film about the challenges of governance, the numbers and scale that our policymakers must contend with,” Kakkar told Reuters in an email interview.

Mustafa, who is from Kanpur, and Kakkar spent more than two years following Loha Singh as he climbed electricity poles, strung together wires and brought power to several small workshops and businesses that need uninterrupted power to function.

“It’s all because of him – it is his blessing that this workshop is running,” one worker says as the lights flicker on.

The Indian government estimates that almost 20 percent of power generated in the country is stolen. The country has never overcome its chronic power crisis, and some analysts say it is a key reason why it might fall behind in its quest to compete with China and other developing nations. Peak demand shortage is pegged at 10 percent, according to government estimates.

In an industrial town like Kanpur, known for its leather and textile industries, lack of power can be crippling, and lives and livelihoods are at stake, Mustafa said.

“It is ostensibly a story about a lack of infrastructure, but I like to think that it also touches upon many other aspects of life in cities in India, the inequalities and struggles therein. For me, the city of Kanpur itself is a character to be reckoned with on film,”  he said.

The protagonist of the film, he said was a “discovery’, and symbolic of the travails that his city had to face.

“We met a lot of electricity thieves in Kanpur (indeed, it seems half the city steals electricity), but no one like Loha, a person who owned himself, a legend in his neighborhood, foul-mouthed, fiercely independent, a true working class hero, and a product of the travails of the city,” said Mustafa.

In the trailer of the film, Singh is shown biting off wires, attaching them to electricity poles, and laughing off threats from Maheshwari’s people, who are determined to stop power theft. Often, he is supported by citizens, who blame the government for not providing them with uninterrupted power.

“The electricity people force even an honest man to become a thief,” an irate man tells the  camera.

It is this inequality and dichotomy that both film-makers said stood out starkly during their film-making process.

“The scale of energy paucity in India is staggering. Of the 1.5 billion people worldwide who live without power, 400 million live in India. We want to put this crisis into perspective and bring it home to people,” Kakkar said.

via Documentary ‘Katiyabaaz’ shines spotlight on India’s power shortage | India Insight.

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