30/09/2019
- Three films that opened on Monday morning rake in US$76.6 million by midday
- Palme d’Or winner Chen Kaige heads bill with ensemble that has movie-goers in tears
My People, My Country looks at seven events in the past 70 years through the eyes of seven Chinese directors. Photo: Baidu
Three films that paid tribute to the People’s Republic of China on the eve of its 70th anniversary grossed a total of 546 million yuan (US$76.6 million) at the box offices hours after opening on Monday, Maoyan Entertainment, China’s largest movie ticketing app, said.
My People, My Country, consisting of seven short stories by seven directors led by Cannes Palme d’Or winner Chen Kaige, recounted major events since 1949. It took in 225 million yuan.
Milestones including the detonation of China’s atomic bomb in 1964; the handover of Hong Kong from the UK to China in 1997, and the staging of the Summer Olympics in Beijing in 2008, brought back many memories and stirred feelings of national pride, film-goers said.
“I went to see the movie today and saw many primary school students with their parents. Tears welled in my eyes, and I felt touched and proud at the same time. Go China!” one Weibo user wrote.
True-life drama The Captain has proved to a big screen hit with mainland cinema-goers. Photo: Baidu
“This movie used directors of commercial movies, and most of those born in the 1960s and 1970s lived through these moments. I think young people will bring their parents to see the film,” another Weibo user wrote.
True-life drama The Captain, directed by Hong Kong director Andrew Lau Wai-Keung, ran in second with a box office take of 175 million yuan by noon on Monday. The film was based on events in May 2018, when the cockpit window of a Sichuan Airlines flight was shattered at 30,000 feet over the Tibetan Plateau in western China. The decompression pulled the co-pilot halfway out of the cabin as the pilot fought to land the flight safely.
Big-budget film The Climbers, directed by Hong Kong’s Daniel Lee Yan-Kong and featuring stars such as Wu Jing and Zhang Ziyi, retraced the steps of two generations of Chinese mountaineers who scaled Mount Everest by the perilous North Ridge in 1960 and 1975. The film posted earnings of 146 million yuan.
Tencent’s homage to modern China tops gaming charts on eve of 70th anniversary celebrations
Patriotic feelings have been running high this week as the celebration of the 70th anniversary draws near.
My People, My Country’s theme song, Me and My Mother Country, an oldie recorded by Hong Kong’s Faye Wang, has been heard in shops, restaurants and workplaces all across the mainland.
The Climbers was directed by Hong Kong’s Daniel Lee Yan-Kong. Photo: Baidu
Last week, 200 million WeChat users responded to a campaign by internet company Tencent to add a national flag or Happy National Day sticker to their social media profile picture, The Beijing News reported. Demand was so heavy Tencent’s servers were overwhelmed for a short time.
Source: SCMP
Posted in 70th anniversary, atomic bomb, Beijing, Big screen, box office hits, cabin, Cannes Palme d’Or, celebrations, Chen Kaige, Chinese mountaineers, co-pilot, Daniel Lee Yan-Kong, decompression, demand, detonation, flight, fought, gaming charts, halfway, handover of Hong Kong, Happy National Day, heavy, homage, land, mainland, mainland cinema-goers, Maoyan Entertainment, Me and My Mother Country, Milestones, modern China, Mount Everest, My People, My Country, national flag, national pride, North Ridge, overwhelmed, paid tribute, patriotism, People’s Republic of China, perilous, pilot, reported, restaurants, safely, scaled, servers, shops, Sichuan Airlines flight, sticker, Summer Olympics, take off, TENCENT, The Beijing News, The Captain, The Climbers, Tibetan Plateau, turns, Uncategorized, Weibo, Western China, winner], workplaces, Wu Jing, Zhang Ziyi |
Leave a Comment »
22/07/2019
- Delicate balance for Disney in its portrayal of China’s classic tale of female heroism
- Too Americanised, or pandering to a mainland Chinese audience?
Chinese-American actress Crystal Liu Yifei plays the title role in Disney’s Mulan. Photo: Disney
Since the trailer for Disney’s live-action film Mulan was released last weekend, both mainland Chinese in the East and the diaspora in the West have been abuzz about their cultural identity and its representation in Hollywood – albeit for different reasons.
Chinese viewers have, on one hand, been enthusiastic about the casting of Chinese-American actress Crystal Liu Yifei in the lead role and the chance for a seemingly more “authentic” Chinese story to be told on the global stage.
On the other hand, they have pointed out historical inaccuracies – such as the southern Chinese setting when the source material states that Mulan is from the north – and expressed concerns that the plot has been too “Americanised”.
Meanwhile, many Chinese-Americans were surprised to discover upon watching the trailer that the beloved 1998 animation had changed beyond recognition – most notably with the absence of talking dragon Mushu and male love interest Li Shang. Some also felt that the new film pandered too much to a mainland Chinese audience.
“The idea of a mythic mash-up of China [in the new film] … seems to play to the idea of a unified, singular China, an artistic representation of the one-China policy, which is troubling to me,” said Jeannette Ng, a British sci-fi author with Hong Kong heritage.
“A lot of the time, this conversation acts like the only Chinese people who matter are the ones who live in mainland China – that they are the only truly authentic ones and everyone else is too Westernised to count,” she said.
The online discussion indicates the delicate balance Hollywood interpretations of Chinese classics have to strike in portraying Chinese versus American values, as big US-China co-productions try their hardest to integrate the two for bigger global box office takings.
Despite ticket sales in China falling 3.6 per cent in the first half of 2019, owing to tightened government censorship, China is still projected to overtake the US box office next year, according to a recent report by professional services firm PwC.
Disney has tried hard to make the new film more true to its ancient Chinese source material, with a detailed – if inaccurate – historical setting featuring the ancient tulou roundhouses of the southeastern province of Fujian, and a star-studded, all-Asian cast with several icons of Chinese cinema such as Jet Li, Hong Kong actor Donnie Yen and Gong Li.
Disney’s live-action version of Mulan is truer to the ancient source material. Photo: Handout
“Disney’s tent pole movies are aiming at a global audience. That being said, given that China is the largest international market and the story is based on a Chinese folk tale, Disney will definitely take the Chinese audience’s taste into consideration,” said a Chinese film producer, who asked to remain anonymous, at a major US studio in Beijing.
“However, this is also a double-edged sword, as people tend to be more picky when they see things they are familiar with.”
Indeed, several Chinese media think pieces have questioned whether elements of the original legend had become too Americanised in the film, leading to an inauthentic representation of a beloved Chinese heroine.
For instance, the Disney trailer suggests that Mulan joins the army to escape an arranged marriage, breaking away from family traditions and establishing her independence as a woman unbound by gender roles.
But in the original folk song Ballad of Mulan, on which the film is based, she volunteers to take the place of her ageing father in the army – making her a symbol of filial piety, courage and patriotism in traditional Chinese culture.
Some critics say Mulan has been Americanised. Photo: YouTube
In a widely shared analysis discussing whether Disney’s Mulan was a feminist icon, Peking University Press wrote: “Perhaps this is a cross-cultural creative misunderstanding that reflects the core differences between Chinese and Western culture. If Mulan is seen as a feminist symbol, I fear this may be wishful thinking.”
However, both Chinese-Americans and Chinese nationals agree that the film, slated for release in March, is an inspiring tale for young girls.
“I feel like the people who are criticising the film are too attached and focused on the nostalgia factor. They are not seeing the bigger picture and the positive implications of this movie,” said Alex Diep, a 23-year-old American of Vietnamese-Chinese descent.
“They are disregarding that this film gives an opportunity for young Asian girls to look up to Mulan and see her as a role model,” he said.
Some Chinese have interpreted it as an inspiring fable of female strength and liberation, especially when ingrained patriarchal values and government initiatives such as the one-child policy have restricted women’s rights over the years.
“[Mulan] remains one of the very few fighters and not conventionally feminine figures in the Disney princess canon,” Ng said.
“[T]his is some sort of feminism education for a single-child generation in China that girls can fight like men do,” tweeted Chinese journalist Li Jing.
Chinese-Americans are also optimistic that it will be a sure-fire win for Asian representation on the big screen, especially after the success of last year’s romantic comedy Crazy Rich Asians.
“[Critics of the trailer] are disregarding the fact that this movie is another opportunity to showcase Asian people in a movie where we are not perceived as a negative stereotype,” Diep said.
Others feel that the film can help build a bridge between East and West.
“Mulan is a Chinese story. It comes from a completely different culture, one which I’m not at all convinced that Hollywood, or the West at large, truly understands yet,” said
New Yorker Jonathan Pu, who is of Taiwanese descent. He said he enjoyed the lighthearted animation, but that it did not define his expectations for the remake.
“If Disney can stay true to the source material and convey [filial piety] in a way that even just some of the audience can grasp, then it will go a long way towards building bridges,” Pu said.
Ultimately, the success of this American spin on Chinese culture will rest on box office sales, which Disney hopes will exceed the 1998 animation that flopped in mainland cinemas. Recent Disney live-action remakes have had a mixed reception in China – Dumbo flopped in March, while The Lion King did moderately well on its release last weekend.
“I’m sure there will be a mixed response when the movie is released but it should have enough buzz and do well,” said the Beijing film producer.
“I hope it will be able to convey the spirit of Mulan and inspire millions of young girls.”
Source: SCMP
Posted in army, Ballad of Mulan, China’s classic tale, Chinese culture, Chinese identity, Chinese-American actress, courage, Crazy Rich Asians, Crystal Liu Yifei, different questions, Disney, Donnie Yen, Dumbo, East, female heroism, Filial Piety, Fujian, Gong Li, inspires, Jet Li, Mulan, patriotism, Peking University Press, PwC, roundhouses, sparks, symbol, The Lion King, traditional, tulou, Uncategorized, volunteers, West |
Leave a Comment »
06/05/2019
BEIJING, May 5 (Xinhua) — The Chinese mainland’s Taiwan affairs chief on Sunday called on youths on both sides of the Taiwan Strait to jointly shoulder the historic mission of national rejuvenation and contribute to cross-Strait integrated development.
Liu Jieyi, head of the Taiwan Work Office of the Communist Party of China Central Committee and the Taiwan Affairs Office of the State Council, made the remarks at the opening ceremony of a summit on cross-Strait exchange and cooperation among the youths.
Young people on the two sides of the Strait should value this great time, be responsible and do their share in safeguarding and building the common home of compatriots on the two sides of the Strait, Liu said.
“Attempts by the ‘Taiwan independence’ forces to undermine cross-Strait peace and obstruct national development will never be allowed,” he said.
He also pledged to provide better conditions for youths from Taiwan to carry out exchanges, study, work and start businesses on the mainland.
As Saturday marks the centenary of the May Fourth Movement, Liu called on the youths on both sides of the Strait to pass on the May Fourth spirit, which refers to patriotism, progress, democracy and science, with patriotism at the core.
Source: Xinhua
Posted in cross-Strait integrated development, Democracy, Mainland China, May Fourth Movement, national rejuvenation, patriotism, progress, Science, Taiwan, Taiwan Affairs Office of the State Council, Taiwan Work Office of the Communist Party of China Central Committee, Uncategorized, youths |
Leave a Comment »
08/03/2019
NEW DELHI (Reuters) – Indian cricketers wore army camouflage-style caps in a match with Australia on Friday in solidarity with Indian paramilitary police killed in a militant attack by a Pakistan-based group and in an unusually strong display of patriotic fervour in sport.
The suicide bombing last month killed 40 in Indian-controlled Kashmir, a region also claimed by Pakistan. The attack prompted India to launch an air strike inside Pakistan, which responded with an aerial attack the next day.
The Board of Control for Cricket in India (BCCI) has in recent days tried unsuccessfully to isolate Pakistan in the cricketing world. The International Cricket Council rejected India’s calls to boycott games against Pakistan, whose prime minister is former cricketing hero Imran Khan.
But there are still calls within India for the national team to pull out of a World Cup match against Pakistan in June in England.
The idea to sport the olive-and-black caps bearing the BCCI’s logo came from former Indian cricket captain and current player Mahendra Singh Dhoni, one of the game’s biggest stars and an honorary lieutenant colonel with the Indian army.
“It’s a special cap,” Indian captain Virat Kohli said before the third in a five-match one-day series with Australia. “This is to pay respect to the martyrs … and their families.”
He said all the players would donate their fees from the match to a national defence fund to help out the families of defence personnel who die on duty. Kohli also urged all Indians to contribute to the fund.
The BCCI posted a clip on Twitter of commentators for the match also wearing the caps, signing off the tweet with “#JaiHind”, or “Hail India”.
The board has scrapped the opening ceremony for the Indian Premier League Twenty20 tournament, which begins on March 23, and will donate the money saved to the families of those who died in the bomb attack.
Cricket historian Boria Majumdar said he could not remember seeing any Indian cricket team in the past making such a gesture, which he called a “peaceful political stand”.
“(Indian cricket) teams have expressed solidarity in the past but not this kind of public display of that solidarity,” Majumdar told Reuters.
“Sport has always been meshed with politics and people have often used it to make very strong points. This is yet another one. This is a peaceful way of expressing solidarity in a manner which I don’t see problematic at all.”
But Pakistani lawyer Abdullah Nizamani said on Twitter the BCCI and international cricket board should keep “sports away from petty politics”. Some Pakistanis even asked on social media if Indian cricketers would turn up for the World Cup match with Pakistan in military fatigues.
Nuclear-armed neighbours India and Pakistan have fought two of their three wars since independence over Kashmir, which both sides claim in full but rule in part.
Source: Reuters
Posted in Abdullah Nizamani, army, Australia, Board of Control for Cricket in India (BCCI), Boria Majumdar, boycott, British Prime Minister, camouflage caps, Country, Cricket historian, cricketers, England, Hail India, honorary lieutenant colonel, Imran Khan, independence, India alert, indian army, Indian captain, International Cricket Council, JaiHind, June, Kashmir, Mahendra Singh Dhoni, military fatigues, nuclear-armed neighbours, Pakistan, Pakistani lawyer, paramilitary police, patriotism, Reuters, Twitter, Uncategorized, Virat Kohli, World Cup |
Leave a Comment »
CHINDIA ALERT: You'll be living in their world, very soon 