Archive for ‘traditional’

01/05/2020

Tourists trickle back to village by China’s Great Wall as virus curbs relaxed

GUBEI WATER TOWN, China (Reuters) – The mock Qing dynasty village nestled below the Great Wall would normally be teeming with tourists on Labour Day, but the thin crowds on Friday showed that while China’s coronavirus epidemic has subsided, people’s fears could take longer to fade.

During holidays, some 100,000 visitors a day would traipse round the quaint stone-paved streets of Gubei Water Town, 110 kilometres (68 miles) northeast of Beijing. Its marketing manager reckoned on getting just a tenth of that number this year.

“People have concerns about the virus and are unwilling to travel long distances,” said Guo Baorong. For a start, there will be no international tourists this time, he said, noting foreigners would normally make up around 15% of visitors.

About 70% of China’s tourist attractions had reopened as of Thursday, according to China’s Ministry of Culture and Tourism, but all sites have had to cap visitors to 30% of designed capacity.

More sites, including the Forbidden City in Beijing, were set to reopen Friday.

Staff at the entrance to Gubei Water Town checked visitors’ temperatures and health tracking codes. And inside, lines on the ground directed tourists to stand one meter apart and stores used ropes to keep crowds from forming. Like everywhere in China since the lockdowns were imposed to stem the epidemic, everyone wore masks.

Still, in places where tourists squeezed together as the streets narrowed, staff shouted at them to spread out.

Some tourists enjoyed the smaller crowds.

Xiao Chen, a 24-year-old student wearing traditional Chinese garb known as “Hanfu” came to Gubei to take pictures around ancient architecture.

“It’s good to come out of the city. There was barely anyone in Gubei Water Town yesterday, and even today, it’s not crowded,” she said.

The tranquility may not last. Room bookings jumped on Thursday after Beijing and nearby areas began easing coronavirus restrictions, with about 90% of accommodation now reserved.

“We were not expecting that many people to come in,” said Guo.

Source: Reuters

 

15/04/2020

Taiwan wades into hotly contested Pacific with its own coronavirus diplomacy

TAIPEI (Reuters) – Taiwan waded into the hotly contested politics of the Pacific on Wednesday, donating face masks and thermal cameras to its four diplomatic allies there to combat the coronavirus in a region where China is challenging traditional power of the United States.

The small developing nations lie in the highly strategic waters of the Pacific, dominated since World War Two by the United States and its friends, who have been concerned over China’s moves to expand its footprint there.

Democratic Taiwan has faced intense pressure from China, which claims the island as its territory with no right to state-to-state ties, and is bent on wooing away its few allies.

Taiwan has only 15 formal allies left worldwide after losing two Pacific nations, the Solomon Islands and Kiribati, to China in September.

Beijing has ramped up its diplomatic push into the Pacific, pledging virus aid and medical advice.

In its own aid programme, Taiwan has donated 16 million masks to countries around the world.

“We are a very small country, so it’s easier for us to work with Taiwan than mainland China,” Neijon Edwards, the Marshall Islands ambassador to Taiwan, told Reuters at the donation ceremony in Taipei.

China has been too overbearing, she added.

“It’s pressing too much, and it’s been trying to come to the Marshall Islands, several times, but up to this time we haven’t even opened the door yet.”

While the masks presented at the ceremony are going to Taiwan’s Pacific allies, all its 15 global allies are sharing the thermal cameras.

“Today’s ceremony once again shows that Taiwan is taking concrete actions not only to safeguard the health of Taiwanese people but also to contribute to global efforts to contain COVID-19,” said Foreign Minister Joseph Wu.

Though Pacific Island states offer little economically to either China and Taiwan, their support is valued in global forums such as the United Nations and as China seeks to isolate Taiwan.

China has offered to help developing countries including those of the Pacific, and many see Chinese lending as the best bet to develop their economies.

But critics say Chinese loans can lead countries into a “debt trap”, charges China has angrily rejected.

The debt issue was a serious problem and would only lead to the spread of Chinese influence regionwide, said Jarden Kephas, the ambassador of Nauru.

“They will end up dominating or having a lot of say in those countries because of the amount of debt,” he told Reuters, wondering how the money could ever be repaid. “We are not rich countries.”

Source: Reuters

07/04/2020

China Focus: Qingming festival boosts recovery of domestic tourism

BEIJING, April 6 (Xinhua) — Bike riding, bird watching, or simply enjoying the natural scenery against the blue sky. A wild duck lake wetland in suburban Beijing has attracted urbanites during the traditional Qingming festival.

The park imposes a daily limit of 1,680 visitors and workers take body temperatures for visitors and ask them to show their health codes, which are common preventive measures in many scenic spots.

“Our tickets sold out one day in advance on the Internet, “said Liu Xuemei, a park management official. “Through the online booking of tickets, we strictly control the flow of tourists to protect wild birds as it is a season of bird migration.”

Besides paying tribute to the dead, outing is another tradition among Chinese during Tomb-sweeping Day, also known as Qingming Festival which fell on Saturday. Citizens enjoy a three-day holiday for the festival.

As China’s domestic COVID-19 situation continues its improving trend, more parks and scenic sites have reopened across the country, providing places for citizens to have spring outings amid tight prevention measures.

On Saturday, the Juyongguan section of the Great Wall and the Ming Tombs in Beijing reopened to the public after two months of closure in the prevention and control of COVID-19.

The famous Badaling section of the Great Wall in Beijing, which partly opened on March 24, hosted 12,000 tourists on Sunday alone.

Beijing’s major parks, which partly opened to the public, also adopted strict measures to control the number of tourists while cancelling some traditional spring activities such as enjoying flowers to avoid gathering.

Data from several domestic travel companies such as Qunar and Trip.com show that the domestic tourism industry is recovering and the booking volume of tickets for travel, hotels and scenic spots is on the rise.

Since March, some of the business activities of travel agencies have resumed in more than 10 provinces and municipalities. Tours around cities and 1-hour high-speed trips are popular, according to the travel platforms.

“I haven’t been out during the epidemic. It’s fine today. I brought my daughter to the mountain area to breathe fresh air and relax,” said a female tourist surnamed Liu, in the city of Wuhu, east China’s Anhui Province. Liu went to the suburban area of Wuhu with her daughter for an outing on Saturday and said she felt the epidemic prevention measures were reassuring.

At the Balihe scenic area in Yingshang County, Anhui, the number of tourists rose from 1,000 after it reopened on March 15 to about 8,000 per day during the Qingming holiday.

The scenic area implements online real-name booking. Its tourist service center has a body temperature detection area and provides wash-free disinfectant. Staff members wear masks and gloves, according to Wang Longtao, deputy general manager of a company in charge of the Balihe tourism development.

“I am optimistic about the recovery of domestic tourism. People have accumulated a strong desire to consume,” said Liang Jianzhang, co-founder and chairman of Trip.com Group.

Huangshan Mountain, a UNESCO world heritage site in Anhui Province, saw 20,000 tourists on Saturday and Sunday, as pictures of crowded tourists triggered concerns over epidemic prevention.

The scenic area authorities said Monday they increased 20 transfer buses and mobilized a total of 160 buses to prevent overcrowding.

Industry experts warn that as the COVID-19 epidemic has not ended domestically and the pressure of imported cases is growing, scenic spots should make people’s safety and health the top priority and take targeted measures as they reopen.

Source: Xinhua

04/04/2020

China mourns thousands who died in country’s coronavirus epidemic

BEIJING/WUHAN, China (Reuters) – China on Saturday mourned the thousands of “martyrs” who have died in the new coronavirus outbreak, flying the national flag at half mast throughout the country and suspending all forms of entertainment.

The Chinese national flag flies at half-mast at Tiananmen Square in Beijing, as China holds a national mourning for those who died of the coronavirus disease (COVID-19), on the Qingming tomb sweeping festival, April 4, 2020. REUTERS/Carlos Garcia Rawlins

The day of mourning coincided with the start of the annual Qingming tomb-sweeping festival, when millions of Chinese families pay respects to their ancestors.

At 10 a.m. (0200 GMT) Beijing time, the country observed three minutes of silence to mourn those who died, including frontline medical workers and doctors. Cars, trains and ships sounded their horns and air raid sirens wailed.

In Zhongnanhai, the seat of political power in Beijing, President Xi Jinping and other Chinese leaders paid silent tribute in front of the national flag, with white flowers pinned to their chest as a mark of mourning, state media reported.

More than 3,300 people in mainland China have died in the epidemic, which first surfaced in the central province of Hubei late last year, according to statistics published by the National Health Commission.

In Wuhan, the capital of Hubei province and the epicentre of the outbreak, all traffic lights in urban areas turned red at 10 a.m. and all road traffic ceased for three minutes.

Some 2,567 people have died in Wuhan, a megacity of 11 million people located in the middle reaches of the Yangtze river. The Wuhan deaths account for more than 75% of the country’s fatalities.

Among those who died was Li Wenliang, a young doctor who tried to raise the alarm about the disease. Li was honoured by the Hubei government earlier this week, after initially being reprimanded by police in Wuhan for “spreading rumours”.

Gui Yihong, 27, who was among thousands of Wuhan locals who volunteered to deliver food supplies to hospitals during the city’s months-long lockdown, recalled the fear, frustration and pain at Wuhan Central Hospital, where Li worked.

“If you weren’t at the frontlines you wouldn’t be able to experience this,” said Gui, as he laid some flowers next to Wuhan’s 1954 flood memorial by the Yangtze.

“I had to (come) and bear witness. For the last 80 days we had fought between life and death, and finally gained victory. It was not easy at all to come by.”

While the worst was behind Wuhan, the virus has spread to all corners of the globe since January, sickening more than a million people, killing more than 55,000 and paralysing the world economy.

Wuhan banned all tomb-sweeping activities in its cemeteries until at least April 30, curtailing one of the most important dates in the traditional Chinese lunar new year calendar which usually sees millions of families travel to tend to their ancestral graves, offer flowers and burn incense.

They have also told residents, most stuck at home due to lockdown restrictions, to use online streaming services to watch cemetery staff carry out those tasks live.

ASYMPTOMATIC CASES

Online, celebrities including “X-Men: Days of Future Past” star Fan Bingbing swapped their glamorous social media profile pictures for sombre photos in grey or black, garnering millions of “likes” from fans.

Chinese gaming and social media giant Tencent (0700.HK) suspended all online games on Saturday.

As of Friday, the total number of confirmed cases across the country stood at 81,639, including 19 new infections, the National Health Commission said.

Eighteen of the new cases involved travellers arriving from abroad. The remaining one new infection was a local case in Wuhan, a patient who was previously asymptomatic.

Asymptomatic people exhibit few signs of infection such as fevers or coughs, and are not included in the tally of confirmed cases by Chinese authorities until they do.

However, they are still infectious, and the government has warned of possible local transmissions if such asymptomatic cases are not properly monitored.

China reported 64 new asymptomatic cases as of Friday, including 26 travellers arriving in the country from overseas. That takes the total number of asymptomatic people currently under medical observation to 1,030, including 729 in Hubei.

Source: Reuters

12/02/2020

An ‘unhappy marriage’ that has saved thousands of lives

Uma Preman

Arranged marriages can often throw up surprises. Uma Preman’s unhappy marriage transformed not only her life, but also the lives of thousands of others – because it left her with the skills and motivation to help disadvantaged Indians gain access to medical treatment.

The moment

Uma always dreamed of a perfect wedding in a traditional south Indian temple. She imagined it decorated throughout with colourful flowers – and a big party by the beach.

But it never happened.

Uma still remembers the grey February morning 30 years ago when her mother introduced her to Preman Thaikad. Uma was only 19, and Preman was 26 years older.

They had never met before, but she was told he was her husband. There were no festivities and no music – in fact there wasn’t even a wedding.

“My mother told me that I was now Preman’s property. He told me that I was his wife but I had no rights over his property,” says Uma.

Uma Preman

Preman took her to his house and left her there for the night. She still remembers that she couldn’t sleep and just stared at the pale yellow ceiling and the rickety fan.

The next morning, Preman returned at 6am and asked her to accompany him to a bar. He kept drinking for several hours while she sat in silence, trying to figure out the strange direction her life had taken.

He told her that she was his second wife, but she quickly learned that she was actually his fourth. He also revealed that he had a severe form of tuberculosis – and that her main job was to be his carer.

Before

Uma grew up in Coimbatore, a busy town in the southern Indian state of Tamil Nadu. As a child, she wanted to become a doctor like her father, TK Balakrishnan.

Balakrishnan had studied medicine for a year before his uncle asked him to drop out and work on his farm. He had learned the basics and would use his knowledge to dress wounds, change dressings and treat fevers with basic medicines. Uma heard that the families of the patients would often give him treats – so she began to accompany him on his rounds.

“I just loved food and eating and that’s why I went with him,” she says.

But one day she saw something that made her realise how serious her father’s work was. Her father was treating a patient with gangrene. The stench, Uma says, was unbearable.

“He was using gardening gloves because he didn’t have surgical ones, but he was so calm.”

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But Uma’s mother hated the fact that her husband was spending most of his time helping others, Uma says.

When she was eight, her mother gave her some money to buy firecrackers for the Hindu festival of Diwali – and when she came back, her mother was gone.

“I found out later that she loved another man and she left with him,” Uma says.

Suddenly it was up to Uma to take care of her three-year-old brother. She says she didn’t know how to cook, but she decided to learn because she couldn’t bear the food her father made for them.

Uma Preman

“I went to nearby homes and requested the ladies to teach me. They said I wouldn’t be able to cook because I was small,” Uma says. But within days they had taught her to make a variety of dishes, and cooking became part of her daily routine.

“I would wake up at 5am to make breakfast and lunch. Then I would go to school at 9am. I would come back in the evening and take care of my brother and cook dinner,” Uma says.

“My friends played every evening – they were enjoying their life. But I was happy taking care of my family.”

She kept thinking about her mother though, and worrying that she might never see her again.

Years later, when Uma was 17, she went with some neighbours to visit a famous temple in Guruvayur – 87 miles from Coimbatore – and there she met a man who told her he’d seen a woman who looked exactly like her.

Uma left her address with him and a few days later a letter arrived in the post.

It was from her mother.

Uma Preman

Uma rushed back to Guruvayur to be reunited with her, but it quickly became clear there was a problem. Her second husband had borrowed large sums of money, then abandoned her – and the lenders were demanding payment.

“I would see people coming to her house every day to harass her for money,” Uma says. “It was painful to see.”

Her mother’s solution was for her to marry Preman, who was wealthy enough to clear her debts. Uma was reluctant. She tried to get work instead, but failed. Then she returned to her father – but he felt betrayed by her decision to resume contact with her mother, and turned his back on her.

Eventually, Uma gave in.

“I felt worthless. I just accepted my fate and went with Preman.”

After

“Every day before he left for work, Preman would lock me inside the house,” Uma remembers.

“I wasn’t allowed to meet anybody or to go out – not even for a minute. For six months, I was alone. I started talking to walls. I lost my confidence and self-respect.”

As the years passed, Preman’s tuberculosis worsened. The couple started spending most of their time in hospitals, and in 1997, seven years after Uma had moved in with him, Preman died. Although he had once said she would have no right over his property, he left her comfortably off.

Uma says she felt free for the first time in her life.

“I didn’t want him to die, but I couldn’t help but feel that life had given me a second chance.”

Uma with Preman's photograph
Image caption Uma with Preman’s portrait in the background

It took a while for it to become clear what she would do with this new freedom.

During her years with Preman, Uma had observed that poor people were often unable to get proper medical treatment, not only because they couldn’t afford it but also because they didn’t have the right information – they didn’t know what treatments and facilities were available.

So Uma had started helping them, filling in forms for them, guiding them to the right doctors and sometimes just listening to their problems.

When she left the hospital in Trivandrum where Preman had spent the last six months of his life, she was missed. But she wasn’t completely beyond reach. There was a booth where she had often called Preman’s family, she says, and the person who owned it gave her number to people in need of help.

Soon hundreds of people started calling for advice and that’s how the Santhi Medical Information Centre was born. Uma had found her life’s calling – she wasn’t treating people, as her father had done, but she was helping them get treatment.

Uma Preman

However, to help other people Uma had to acquire knowledge herself, and in the late 1990s the internet wasn’t yet widely available in India. She had to travel across the country to collect data about treatments, hospitals and the places where people could get free or subsidised treatment.

“I had to travel because no hospital replied to my letters,” she says.

Even when she met people face to face, they often didn’t take her seriously. In other Indian states there was also a language barrier, as Uma spoke only Tamil.

In the past decade, the Santhi Centre’s top priority has been helping people with kidney disease.

Uma Preman

There are not enough dialysis centres in the country and the rate of kidney donation is poor. Uma has been working to change this, raising funds for new facilities open to all.

“Our first dialysis centre started in Thrissur district in Kerala. Now we have 20 centres across India. Many rich people donated for the cause,” she says.

Uma says persuading people to donate a kidney is not easy because they often worry about the impact on their own health.

So she decided to set an example, and donated one of her own kidneys. She gave it to an orphan whose kidneys had failed.

Uma Preman with Salil
Image caption One of Uma’s kidneys enables Salil to live a normal life

Salil says he owes his life to her.

“I was 26 when I was undergoing dialysis. When she met me, she told me that she would donate her kidney on the condition that I continued to work after the transplant.”

He did continue to work – in fact, after a while he went to work for Uma.

Salil says Uma is a woman who truly believes in Mahatma Gandhi’s words that “you have to be the change you want to see”.

“Everyone wants to change the world but no-one is ready to change themselves,” Uma says. “I changed my attitude and I donated one kidney, but I also got a brother in return.”

Source: The BBC

07/10/2019

Xinhua Headlines: China achieves best world championships results in 20 years over National Day holiday

The Chinese legion at the World Athletics Championships celebrated the 70th anniversary of the founding of the People’s Republic of China in style — staging their best performance at the world championships in 20 years in Doha.

By Sportswriters Ma Xiangfei, Wu Junkuan and Liu Ning

DOHA, Oct. 6 (Xinhua) — For the first time in history, the World Athletics Championships spanned almost the entirety of China’s National Day holiday.

More coincidentally, the year 2019 is the 70th anniversary of the founding of the People’s Republic of China, which gave added meaning to the Chinese delegation’s quest in Doha.

And the Chinese legion celebrated the holiday in style — staging the country’s best performance at the 10-day world championships in 20 years with three gold, three silver and three bronze medals.

“The race had a special meaning for me because it was held just before China’s National Day,” said former world record holder Liang Rui, who led a one-two finish for China in the women’s 50-kilometer race walk.

“This victory is a birthday gift from me for my homeland,” she said after finishing the race at dawn on September 29.

Liang Rui of China celebrates after the women’s 50km race walk at the 2019 IAAF World Championships in Doha, Qatar, Sept. 29, 2019. (Xinhua/Jia Yuchen)

At the same time, many Chinese back home were busy preparing for a huge nationwide celebration on October 1 in a festival atmosphere similar to that of the traditional Chinese Lunar New Year.

One day later, when China was counting down to a grand military parade and mass pageantry at Beijing’s iconic Tian’anmen square, Olympic gold medalist Liu Hong and her teammates Qieyang Shijie and Yang Liujing swept the 20km race walk podium in Doha.

“Even before we came here, the team was confident of retaining the 20km title before the National Day, and the only question was who would win it. Every one of us wanted to win the gold medal, to pay tribute to our country,” said 32-year old Liu, who returned to action in early 2019 after more than two years of maternity leave.

“This is the third time I have won at the World Championships. I am very pleased that I won this time because tomorrow will be the 70th anniversary of the founding of the People’s Republic of China. Winning all three medals, this achievement is our gift to our motherland,” she said.

China’s Liu Hong (2nd L), Qieyang Shenjie (2nd R) and Yang Liujing (1st R) compete during the women’s 20km race walk final at the 2019 IAAF World Championships in Doha, Qatar, Sept. 29, 2019. (Xinhua/Wang Jingqiang)

Hours before first light was shed on a sleepless Beijing on October 1, Xie Zhenye had written a piece of athletics history when he became the first Chinese man ever to qualify for the 200m final at the world championships.

“Yes, I created some history. I did my best today and I am proud of myself, especially on this day,” said the 26-year-old, who qualified as the third fastest runner in the 200m semifinals.

Xie eventually finished seventh in the final on Tuesday night, when 6,000km away China was deep in sleep after the National Day culminated in spectacular firework displays in the heart of the capital city.

The Asian record holder said he took valuable experience from Doha, and already has his sights set on next year’s Tokyo Olympic Games.

“I believe I have gone through the most difficult process, running in the strongest heat group and in the inside lane in the final. I took this as a test and a learning opportunity for next year’s Olympics,” he said.

“Everyone in the team was trying to keep it steady this year because our bigger goal is Tokyo.”

China’s Xie Zhenye (R) competes during the men’s 200m final at the 2019 IAAF World Athletics Championships in Doha, Qatar, on Oct. 1, 2019. (Xinhua/Xu Suhui)

As the National Day celebrations drew to a close, many Chinese people began to enjoy their holiday by traveling around the country. In the first four days of the seven-day holiday, the country received a total of 542 million domestic tourists and recorded 452.63 billion yuan (63.6 billion U.S. dollars) in domestic tourism revenue.

Many people also elected to stay at home and relax, allowing them to watch the world championships and hear more good news from Doha.

Defending champion Gong Lijiao, competing in her seventh world championships, retained her shot put title on October 3. The 30-year-old held off a strong challenge from Jamaica’s Danniel Thomas-Dodd and produced four throws over 19m, grabbing the gold with a throw of 19.55m in the fourth round.

Despite her win, Gong was unsatisfied with her performance and promised to do better in Tokyo.

“I’m so happy to win but the result was well below my expectations,” said Gong, whose personal best is 20.43m.

“I worked out too much in the warm-up before the final and was dripping with sweat. So when the competition started, I felt like I was losing all my momentum, and the air conditioning in the stadium worked against me too,” she explained.

“This is a lesson for me and I will pay more attention to these details in Tokyo. My dream is obviously to win the title then,” said Gong, who already has a silver and a bronze from the Olympic Games.

China’s Gong Lijiao celebrates after winning the title of the women’s shot put final at the 2019 IAAF World Athletics Championships in Doha, Qatar, Oct. 3, 2019. (Xinhua/Wang Lili)

Liu Shiying and Lyu Huihui also brought home a silver and a bronze medal respectively in women’s javelin, although the color of the medal was not the right one for Lyu, a clear favorite before the world championships with a four-month winning streak across 12 competitions.

“I have already competed at two world championships before, winning a silver and a bronze, and I really wanted a gold this time,” she said.

Little did she know that the Chinese team’s achievements in Doha had already made their compatriots proud.

When the women’s 20km walk race medal ceremony was held on China’s National Day on October 1, 2014 Winter Olympic gold medalist Zhang Hong watched three Chinese flags fluttering on the big screen at the Khalifa International Stadium.

The scene could well have reminded her of her days as an athlete, when she raced to the 1,000m speed skating title in Sochi in 2014, becoming the first Chinese Olympic champion in this event.

“I was so proud when I heard the national anthem on October 1. Those athletes who saw the national flags raised in the competition are the best,” said the current International Olympic Committee (IOC) member.

Gold medalist Liu Hong (C) of China, silver medalist Qieyang Shenjie (L) of China and bronze medalist Yang Liujing of China pose for photos at the awarding ceremony of women’s 20km race walk during the 2019 IAAF World Athletics Championships in Doha, Qatar, Sept. 30, 2019. (Xinhua/Wang Jingqiang)

Zhang retired after the 2018 Winter Olympics and was elected to the Athlete’s Commission of the IOC. During her visit to Doha as a representative of the IOC, Zhang was informed that she was appointed to the Future Host Commission, which will explore, monitor and encourage interest in future Olympic Games, Olympic Winter Games and Youth Olympic Games.

After joining the IOC, Zhang said she could see her country from another perspective.

“After I became an IOC member, I came to know more about athletes from other countries and regions. I didn’t know how well we Chinese athletes are taken care of until I spoke to others,” she said.

Zhang’s career path could set an example for other Chinese athletes, as China’s top sprinter Su Bingtian was nominated as one of the 15 candidates for the six available seats in the IAAF Athletes’ Commission.

“I met him in Doha the other day and gave him my encouragement. I hope he can be elected,” Zhang said.

Source: Xinhua

16/08/2019

China-Arab States tourism fair to be held in NW China

YINCHUAN, Aug. 15 (Xinhua) — The China-Arab States Tour Operators Conference 2019 will be held from Sept. 4 to 7 in Yinchuan, capital of northwest China’s Ningxia Hui Autonomous Region, local authorities said Thursday.

According to the region’s department of culture and tourism, the four-day event will include a series of activities such as tourism resources promotion, tourism cooperation and exchange between China and Arab countries, and investment project negotiation.

Tourism officials from Indonesia, Morocco and Chad, as well as some 120 traders from China and 15 countries along the Belt and Road including Singapore, the Republic of Korea and Egypt, will participate.

Tourism resources and products such as the starry sky, the Great Wall, intangible cultural heritage and wine in Ningxia will be presented in the form of a stage drama at the fair.

Foreign participants will also introduce their tourism resources to further integrate Ningxia into regional tourism along the Belt and Road.

Traditional handicrafts such as papercutting, embroidery, wood carving and clay sculptures will be displayed to propel the development of the cultural tourism industry in the region, according to Zhao Mingxia, deputy director of the culture and tourism department.

Source: Xinhua

22/07/2019

Mulan sparks different questions about Chinese identity in East and West

  • Delicate balance for Disney in its portrayal of China’s classic tale of female heroism
  • Too Americanised, or pandering to a mainland Chinese audience?
Chinese-American actress Crystal Liu Yifei plays the title role in Disney’s Mulan. Photo: Disney
Chinese-American actress Crystal Liu Yifei plays the title role in Disney’s Mulan. Photo: Disney
Since the trailer for Disney’s live-action film Mulan was released last weekend, both mainland Chinese in the East and the diaspora in the West have been abuzz about their cultural identity and its representation in Hollywood – albeit for different reasons.
Chinese viewers have, on one hand, been enthusiastic about the casting of Chinese-American actress Crystal Liu Yifei in the lead role and the chance for a seemingly more “authentic” Chinese story to be told on the global stage.
On the other hand, they have pointed out historical inaccuracies – such as the southern Chinese setting when the source material states that Mulan is from the north – and expressed concerns that the plot has been too “Americanised”.
Meanwhile, many Chinese-Americans were surprised to discover upon watching the trailer that the beloved 1998 animation had changed beyond recognition – most notably with the absence of talking dragon Mushu and male love interest Li Shang. Some also felt that the new film pandered too much to a mainland Chinese audience.

“The idea of a mythic mash-up of China [in the new film] … seems to play to the idea of a unified, singular China, an artistic representation of the one-China policy, which is troubling to me,” said Jeannette Ng, a British sci-fi author with Hong Kong heritage.

“A lot of the time, this conversation acts like the only Chinese people who matter are the ones who live in mainland China – that they are the only truly authentic ones and everyone else is too Westernised to count,” she said.

The online discussion indicates the delicate balance Hollywood interpretations of Chinese classics have to strike in portraying Chinese versus American values, as big US-China co-productions try their hardest to integrate the two for bigger global box office takings.

Despite ticket sales in China falling 3.6 per cent in the first half of 2019, owing to tightened government censorship, China is still projected to overtake the US box office next year, according to a recent report by professional services firm PwC.

Disney has tried hard to make the new film more true to its ancient Chinese source material, with a detailed – if inaccurate – historical setting featuring the ancient tulou roundhouses of the southeastern province of Fujian, and a star-studded, all-Asian cast with several icons of Chinese cinema such as Jet Li, Hong Kong actor Donnie Yen and Gong Li.

Disney’s live-action version of Mulan is truer to the ancient source material. Photo: Handout
Disney’s live-action version of Mulan is truer to the ancient source material. Photo: Handout

“Disney’s tent pole movies are aiming at a global audience. That being said, given that China is the largest international market and the story is based on a Chinese folk tale, Disney will definitely take the Chinese audience’s taste into consideration,” said a Chinese film producer, who asked to remain anonymous, at a major US studio in Beijing.

“However, this is also a double-edged sword, as people tend to be more picky when they see things they are familiar with.”

Indeed, several Chinese media think pieces have questioned whether elements of the original legend had become too Americanised in the film, leading to an inauthentic representation of a beloved Chinese heroine.

For instance, the Disney trailer suggests that Mulan joins the army to escape an arranged marriage, breaking away from family traditions and establishing her independence as a woman unbound by gender roles.

But in the original folk song Ballad of Mulan, on which the film is based, she volunteers to take the place of her ageing father in the army – making her a symbol of filial piety, courage and patriotism in traditional Chinese culture.

Some critics say Mulan has been Americanised. Photo: YouTube
Some critics say Mulan has been Americanised. Photo: YouTube

In a widely shared analysis discussing whether Disney’s Mulan was a feminist icon, Peking University Press wrote: “Perhaps this is a cross-cultural creative misunderstanding that reflects the core differences between Chinese and Western culture. If Mulan is seen as a feminist symbol, I fear this may be wishful thinking.”

However, both Chinese-Americans and Chinese nationals agree that the film, slated for release in March, is an inspiring tale for young girls.

“I feel like the people who are criticising the film are too attached and focused on the nostalgia factor. They are not seeing the bigger picture and the positive implications of this movie,” said Alex Diep, a 23-year-old American of Vietnamese-Chinese descent.

“They are disregarding that this film gives an opportunity for young Asian girls to look up to Mulan and see her as a role model,” he said.

Some Chinese have interpreted it as an inspiring fable of female strength and liberation, especially when ingrained patriarchal values and government initiatives such as the one-child policy have restricted women’s rights over the years.

“[Mulan] remains one of the very few fighters and not conventionally feminine figures in the Disney princess canon,” Ng said.

“[T]his is some sort of feminism education for a single-child generation in China that girls can fight like men do,” tweeted Chinese journalist Li Jing.

Chinese-Americans are also optimistic that it will be a sure-fire win for Asian representation on the big screen, especially after the success of last year’s romantic comedy Crazy Rich Asians.

“[Critics of the trailer] are disregarding the fact that this movie is another opportunity to showcase Asian people in a movie where we are not perceived as a negative stereotype,” Diep said.

Others feel that the film can help build a bridge between East and West.

“Mulan is a Chinese story. It comes from a completely different culture, one which I’m not at all convinced that Hollywood, or the West at large, truly understands yet,” said

New Yorker Jonathan Pu, who is of Taiwanese descent. He said he enjoyed the lighthearted animation, but that it did not define his expectations for the remake.

“If Disney can stay true to the source material and convey [filial piety] in a way that even just some of the audience can grasp, then it will go a long way towards building bridges,” Pu said.

Ultimately, the success of this American spin on Chinese culture will rest on box office sales, which Disney hopes will exceed the 1998 animation that flopped in mainland cinemas. Recent Disney live-action remakes have had a mixed reception in China – Dumbo flopped in March, while The Lion King did moderately well on its release last weekend.

“I’m sure there will be a mixed response when the movie is released but it should have enough buzz and do well,” said the Beijing film producer.

“I hope it will be able to convey the spirit of Mulan and inspire millions of young girls.”

Source: SCMP

13/06/2019

From cosplay to cause play: why the Communist Party supports a revival in traditional Chinese clothing

  • Han costumes are enjoying a renaissance across China, buoyed by a call to nationalism backed by President Xi Jinping
Women wear Han-style clothing in Beijing as part of April’s Traditional Chinese Costume Day celebration. Photo: AFP
Women wear Han-style clothing in Beijing as part of April’s Traditional Chinese Costume Day celebration. Photo: AFP
Dressed in a flowing robe adorned with beaded floral embroidery from a bygone era, stylist Xiao Hang looks like she emerged from a time machine as she strides across the bustling Beijing metro, attracting curious glances and questions.
While China embraced Western fashion as its economy boomed in recent decades, now a growing number of young people like Xiao look to the past for their sartorial choices and have adopted hanfu, or Han clothing.
The costumes of the Han ethnic majority are enjoying a renaissance in part because the government is promoting traditional culture in an effort to boost patriotism and national identity.

Like the film, television and comic book productions that have inspired cosplay fans in the West, period dramas on Chinese TV have contributed to the surge in interest in traditional clothing. The Story of Minglan, a series set during the Song dynasty, attracted more than 400 million viewers over three days when it was first shown this year.

The success of television drama The Story Of Minglan this year reflects China’s interest in its Han heritage. Photo: Baidu
The success of television drama The Story Of Minglan this year reflects China’s interest in its Han heritage. Photo: Baidu

While each Han-dominated dynasty had its own style, hanfu outfits were generally characterised by loose, flowing robes with sleeves that reached the knees.

“When we were little, we would drape sheets and duvets around ourselves to pretend we were wearing beautiful clothes,” Xiao said.

Once a worker at a state-owned machine manufacturing company, Xiao now runs her own hanfu business, where she dresses customers for photo shoots and plans hanfu-style weddings.

The Hanfu fashion revival: ancient Chinese dress finds a new following

In modern China, the hanfu community includes history enthusiasts and anime fans, students and young professionals.

Yang Jiaming, a high school pupil in Beijing, wears his outfit under his school uniform.

“Two-thirds of my wardrobe are hanfu,” he said, decked out in a Tang-style beige gown and black boots, adding that his classmates and teachers were supportive of his fashion choices.

A government-supported revival in Chinese culture has energised the hanfu community. Since he entered office in 2012, President Xi Jinping has supported the promotion of a Han-centric vision of Chinese heritage.

Fans of traditional Chinese clothing dare to mix old and new, and hanfu is not the preserve of women. Photo: AFP
Fans of traditional Chinese clothing dare to mix old and new, and hanfu is not the preserve of women. Photo: AFP

In April, the Communist Youth League of China launched a two-day conference celebrating traditional Chinese garb, which included hanfu and took in Traditional Chinese Costume Day.

A live broadcast of the event drew about 20 million viewers, alongside an outpouring of emotions.

“Chinese people have abandoned their own culture and chosen Western culture. The red marriage gown has now become a wedding dress,” wrote a user of Bilibili, a video-streaming platform popular among young anime, comic and gaming fans in China.

Clothes were the “foundation of culture”, said Jiang Xue, who is part of Beijing-based hanfu club Mowutianxia, which has received funding from the Communist Youth League.

“If we as a people and as a country do not even understand our traditional clothing or do not wear them, how can we talk about other essential parts of our culture?” she said.

Forget K-pop and US missiles, Korea is back in fashion with China thanks to live-stream shopping

The style has not yet gained mainstream acceptance in China.

In March, two students in Shijiazhuang Medical College, in northern Hebei province, were reportedly threatened with expulsion for wearing the outfits to class.

Others said they were put off by the reaction they got while wearing hanfu in public.

“I used to be very embarrassed to wear [hanfu] out,” screenwriter Cheng Xia said.

The 37-year-old said she overcame her reservations after going out dressed in a full outfit last year.

Meanwhile, the movement to revive Han ethnic clothing has prompted questions about nationalism and Han-ethnocentrism – a sensitive issue in China, where the government is wary of conflict between ethnic groups.

High school pupils and young children are drawn to China’s hanfu trend. Photo: AFP
High school pupils and young children are drawn to China’s hanfu trend. Photo: AFP

For instance, within the hanfu community there is long-running opposition towards the qipao, the high-collared, figure-hugging garment that was once a staple of women’s wardrobes.

Known as cheongsam in Cantonese, the qipao – meaning “Qi robe” – began as a long, loose dress worn by the Manchu, or Qi people, who ruled China from the 17th century until the early 1900s.

Its popularity took off in 1920s Shanghai, when it was refashioned into a fitted must-have, favoured by actresses and intellectuals as a symbol of femininity and refinement.

“Some people … think that the cheongsam was inspired by the Qing dynasty, which is not enough to represent China. There are nationalist undertones in this issue,” Chinese culture scholar Gong Pengcheng said.

Master of a dying art: traditional dressmaker recalls golden era of cheongsam in Hong Kong

“It is a good trend to explore traditional culture and clothing culture … There are many things we can talk about, and we need not shrink to nationalist confrontation.”

Yang, the high school pupil, was more upbeat. He said: “At the very least, we can wear our own traditional clothes, just like the ethnic minorities.”

Source: SCMP

30/12/2018

Chinese leaders watch traditional operas for new year

 

BEIJING, Dec. 29 (Xinhua) — Top Chinese leaders watched a New Year gala featuring traditional operas on Saturday evening in Beijing.

Leaders of the Communist Party of China (CPC) and the state Xi Jinping, Li Keqiang, Li Zhanshu, Wang Yang, Wang Huning, Zhao Leji, Han Zheng and Wang Qishan, joined an audience of nearly a thousand at the National Center for the Performing Arts.

The program included classic opera excerpts featuring historical stories, martial heroes and love stories, as well as modern excerpts featuring stalwart CPC members, life on a small island, the Long March, among others.

An opera piece named “Towards the Future” expressed the strong faith of the Chinese people under the leadership of the CPC Central Committee with Xi Jinping at the core, to fight for a decisive victory in finishing the building of a moderately prosperous society in all respects and for the realization of the Chinese dream of the rejuvenation of the Chinese nation.

The show featured various forms of traditional operas, including Peking Opera, Kunqu opera and Cantonese Opera.

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